Event Title
Professional Development // Art Now
Name ArtReach
Address 1065 University Ave
City San Diego
State CA
Zip 92103
Opening Hours
Location Central San Diego
Telephone 619-940-7278
Email studio@artreachsandiego.org
Web Site http:/www.hisawyer.com/artreach/schedules/activity-set/1632401?source=activity-schedule
   
Contact Sierra Aguilar  
Fee $20
Reception Date 10-20-2025
Dates Starts On 10-20-2025   Ends On 10-20-2025
Opening Days
Event Description This professional development session will equip educators with tools to integrate contemporary art, artists, and themes into their classrooms, fostering student engagement through relevant and dynamic content. Participants will explore the work of diverse, modern artists who reflect current social, cultural, and environmental issues. The session will provide strategies for connecting contemporary art to art projects, encouraging critical thinking, creativity, and dialogue among students. *Auto-discount at checkout: Sign up for three Professional Development workshops, get $10 off!
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Event Title
Santiago Cañón-Valencia-cello & Victor Santiago Asuncion-piano: Chamber Concert
Name Athenaeum Music & Arts Library
Address 1008 Wall St
City La Jolla
State CA
Zip 92037
Opening Hours CONCERTS BEGIN AT 7:30 PM. PRE-CONCERT TALKS BEGIN AT 6:45 PM. DOORS OPEN AT 6:15 PM.
Location North County Coastal
Telephone 858-454-5872
Email info@ljathenaeum.org
Web Site https://www.ljathenaeum.org/events/chamber-2025-1020
   
Contact Anira Abreu  
Fee INDIVIDUAL CONCERTS: $58 member / $63 nonmember / $16 student; SERIES OF 6 CONCERTS: $305 member / $336 nonmember / $89 student
Reception Date 10-20-2025
Dates Starts On 10-20-2025   Ends On 10-20-2025
Opening Days
Event Description Superstar cellist Santiago Cañón-Valencia returns to open our season with a dreamy duo program of French sonatas, unique transcriptions, and Stravinsky’s Suite Italienne (adapted from his ballet Pulcinella). Cañón-Valencia is a BBC Next Generation Artist and Tchaikovsky Competition silver medalist; his skill is hailed by The Strad as “technically flawless … totally under the skin of the composers’ idioms.”
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