| Event Title |
|
|
Plein Air in the Golden Hour with Ken Goldman
|
|
| Name |
Athenaeum Music & Arts Library |
| Address |
DIRECTIONS to Sunset Point Park :
From I-5 take |
| City |
San Diego |
| State |
CA |
| Zip |
|
| Opening Hours |
Tuesday–Friday, 4–7 PM
July 30–August 2
(4 days, 12 total hours of instruction) |
|
|
|
| Fee |
$180 Members/$200 General
Materials: Students should bring their preferred mediums or buy recommended supplies below:
Only buy what you plan to use.
For those using pastels: Rembrandt, box o |
| Reception Date |
00-00-0000
|
| Dates |
Starts On 07-30-2024 Ends On 08-02-2024
|
| Opening Days |
|
|
| Event Description |
Artists enjoy painting in the golden hour because everything becomes progressively more interesting and exciting as shadows lengthen and one is forced to work quickly. Daily demonstrations in acrylic, oil, pastel, and watercolor will be short to allow students time to work.
On the first day we will meet at Sunset Point Park on the grass. Subsequent locations will be based on students’ preferences. Please note that there may be locations without immediate access to restroom facilities. Please plan ahead.
Since instruction is individual, artists of any level may participate and paint whatever type of scene they prefer.
No matter how warm it is when you leave home, bring a jacket anyway. |
| Images |
 |
|
| Event Title |
|
|
Drawing from the Masters—Toned Paper with Stephanie Goldman
|
|
| Name |
Athenaeum Music & Arts Library |
| Address |
|
| City |
La Jolla |
| State |
CA |
| Zip |
92113 |
| Opening Hours |
(On Zoom)
Tuesday–Friday, 9:30–11:30 AM
July 30–August 2
(4 days, 8 hours of instruction) |
|
|
|
| Fee |
$120/140
Materials: You do not need everything on this list. Buy only the supplies you’ll be working with. Strathmore 400 Series 11” x 14” grey or tan paper pad; backing board with clips; Sof |
| Reception Date |
00-00-0000
|
| Dates |
Starts On 07-30-2024 Ends On 08-02-2024
|
| Opening Days |
|
|
| Event Description |
In this class, we will draw from classical and modern masters who worked on toned paper. By copying their work, we will learn how their use of the paper’s middle tone, along with their ability to draw with black or sanguine charcoal plus white, resulting in highly expressive three-dimensional drawings. |
| Images |
 |
|
