Event Title
Hans Weigand: Deep Water Horizon
Name UCSD Unversity Art Gallery
Address Visual Arts Dept., University of California, San D
City La Jolla
State CA
Zip 92093
Opening Hours
Location North County Coastal
Telephone 8588227755
Email uag@ucsd.edu
Web Site http://uag.ucsd.edu/
   
Contact Isabelle Lutterodt  
Fee FREE
Reception Date 09-30-2010
Dates Starts On 09-30-2010   Ends On 11-27-2010
Opening Days
Event Description UC San Diego’s University Art Gallery Presents Hans Weigand: Deep Water Horizon
1 October > 27 November 2010
Opening Reception 30 September 2010 5:00-8:00pm
Tuesday > Saturday 11am > 5pm FREE ADMISSION
The UC San Diego University Art Gallery will host Deep Water Horizon, Hans Weigand's second solo exhibition in the U.S. after his acclaimed debut at the Portland Landmark, Gallery. The exhibit will run from October 1 - November 27 with an opening reception on Thursday September 30 from 5:00-8:00pm.
Deep Water Horizon is inspired by the fictitious and dystopian landscape of the California Coastline, on which the artist projects all sorts of ambivalent fall-out from the last 30 years of popular culture.Weigand will present eight large-scale multilayered canvases in an octagonal shape. This fractured panoramic seascape is held together by a continuous, distant horizon, which is also a kind of dividing line between what's on top of this huge wave and what has long been submerged. In this sense, Deep Water Horizon is not only in dialogue with the recent offshore catastrophe but also hints at the archival burden confronted in the age of digital mass memory.
Having worked with large-scale multimedia collages for the last two decades, Weigand has adopted a 3-step process for the production of his canvases. The backdrop of each panel on display is provided by painting, mostly abstract images of nocturnal and day-time "atmospheres" characterized by different light parameters. Printed on these backdrops are large, computer-generated montages of photographic elements, primarily of seascapes shot at various locations in California and Hawaii. Another layer of these collage works engages with bizarre architectural and environmental details found in Las Vegas or in the hinterlands of U.S. vernacular culture. Above this tidal wave of trashy and flashy imagery, the lonely figure of the surfer, in large part modeled on the Comics character of the Silver Surfer, is enthroned in perfect isolation as if he or she were the last one standing amidst the catastrophic debris of a contemporary media storm. The third, and final, layer consists of another surface of hand-painted accentuations that act as smears across the hygienic aesthetics of digital production.
The exhibit also features two supplementary components to the fundamental eight panels presented in Deep Water Horizon. The first is a sequence of simple images that incorporates partly legible words that are set back to back with the canvases and positioned to welcome the viewers. Finally, there is an accompanying series of straightforward photographs, selected views of Americana that Weigand has collected in the course of his frequent visits to the U.S. over the past decade. Serious and profoundly humorous at the same time, this piecemeal accumulation of a panoramic counter-spectacle takes on the notion of a "deep water horizon"-embedded somewhere in the depths of our personal archives.
About the Artist: Hans Weigand, born 1954 in Hall in Tirol, lives and works in Vienna and Berlin. Numerous international solo- and group exhibitions in Europe and the USA.
(selection) Generali Foundation, Vienna (1990); SAT, MAK, Museum of Applied Arts, Vienna, Museum Abteiberg, Mönchengladbach, Villa Arson, Nice (1997); Life Boat (with Raymond Pettibon and Jason Rhoads) MAK Schindler House, Los Angeles 1999; Cotton 2001, Secession, Vienna (2001); Jerry Cotton 2002, Museum Ludwig, Cologne (2002); Serious Play / Metaphorical Gestures, Austrian Cultural Forum , New York (2003); Before and after the final judgement, Gemäldegalerie at the Academy of Fine Arts Vienna, Vienna (2003) PICA_Portland Institute of Contemporary Art, Portland / USA (2005); Hans Weigand - Von hier nach dort, Neue Galerie Graz am Landesmuseum Joanneum, Graz (2005); Galerie Ascan Crone, Andreas Osarek, Berlin (2006); Galerie Gabriele Senn, Vienna (2007); Panorama, Galerie im Taxispalais and Tiroler Landesmuseum Ferdinandeum, Innsbruck; Kunsthaus Zug, Zug (2009). Vortex, MAK im Fokus, Museum of Applied Arts, Vienna (2010)
COTTON 2001 / 2010 (video): Has been staged by Hans Weigand as a crime story in an artistic milieu. The work in progress which comes about in phases, was first shown in 2001 in the Wiener Secession. Further episodes took place in Cologne, Los Angeles, Portland, New York, Tihuana etc. Along with the Jerry Cotton dimenovel series, Stanley Kubrick's film classic 2001: A Space Odyssey was the point of convergence for the artistic investigation of media transmitted, utopian fictional worlds as conceived in the Sixties. The site of the exhibition is taken in account, thus personal friends and artists are incorporated into the story at the film location and take part as actors.
In the Viennese version, for example, the host of the Paris Bar in Berlin is Michel Würthle; the New York gallerist Colin de Land and the artist Raymond Pettibon can be seen in other roles. In the Cologne sequence that has been integrated, the artists Georg Herold, Cosima von Bonin, among others act out the scenes. The star of the story is the curator Stefan Bidner in the leading role of the cool killer, Nitch, who is on the trail of Jerry Cotton. To be continued 2010 in Los Angeles and La Jolla.
Relevant Programming, Film Screenings of COTTON 2001/2010:
October 3, 7:00pm: Mandrake, Los Angeles with discussion to follow with Juli Carson and Hans Weigand
October 4, 6:00pm: UC San Diego Visual Arts Facility Performing Space, La Jolla with discussion to follow with Juli Carson and Hans Weigand


Event Title
Culture & Cocktails
Name The San Diego Museum of Art
Address The San Diego Museum of Art Balboa Park
City San Diego
State CA
Zip 92101
Opening Hours
Location Central San Diego
Telephone
Email
Web Site http://www.sdmart.org
   
Contact  
Fee $15 for nonmembers. Receive $2 off if sporting a fake mustache
Reception Date 00-00-0000
Dates Starts On 09-30-2010   Ends On 09-30-2010
Opening Days
Event Description The San Diego Museum of Art invites guests to celebrate its latest exhibition, Toulouse-Lautrec’s Paris: Selections from the Baldwin M. Baldwin Collection, in an after-hour rendezvous at Culture & Cocktails on Thursday, September 30. In this edition, guests will have the opportunity to sip on St. Germain cocktails while strolling through the exhibition as a DJ spins in the rotunda. Guests who “Lautrec” themselves by sporting a fake moustache will earn $2 off the regularly priced $15 non-member admission. From 9 to 11 p.m., the Sculpture Court Café will also lavishly transform into a French nightclub-inspired after party where live music and cocktails will flow. Toulouse-Lautrec’s Paris is a display of more than 100 works by artist and aristocrat Henri de Toulouse-Lautrec (1864-1901) shown together for the first time in 20 years. Donated by the Baldwin M. Baldwin Foundation, this collection reveals Lautrec’s fixation with the closeted nightlife of 19th century Paris and will be on view until December 12.


Event Title
Timothy Horn at Lux Art Institute
Name Lux Art Institute
Address 1550 S. El Camino Real
City Encinitas
State CA
Zip 92024
Opening Hours Thursday & Friday: 1-4pm Saturday: 11am-5pm
Location North County Coastal
Telephone 760-436-6611
Email info@luxartinstitute.org
Web Site http://www.luxartinstitute.org
   
Contact Grace Madamba  
Fee $10 for two visits within a single residency
Reception Date 00-00-0000
Dates Starts On 09-30-2010   Ends On 10-30-2010
Opening Days
Event Description Lux Art Institute, San Diego’s first LEED certified interactive art destination, presents Australian-born sculptor Timothy Horn as the first artist-in-residence of the 2010/2011 Season. With a fondness for using unusual materials – such as blown-glass, rubber, and rock sugar – Horn is known for creating large-scale sculptures that challenge viewers to find the meeting point between the natural and constructed worlds. Inspired by decorative arts and engravings from European baroque and rococo, as well as by 19th century studies of organic forms such as lichen, coral and seaweed, Horn’s work conveys fantasy and ornament but is underpinned by craftsmanship and concept. From September 9 to October 9, the artist will be living at Lux as he constructs a sculpture of nickel-plated bronze and blown glass for his “Tree of Heaven” series. Visitors can “see art happen” while he is in studio and view his exhibit, featuring numerous examples of large-scale, multi-media sculpture through October 30, 2010. “The delicacy and intricacy of Tim’s fobs that will hang like Victorian jewelry on our walls belie their scale,” said Lux Director Reesey Shaw. “From the oversize works in the ‘Tree of Heaven’ series to the full-size carriage made of crystallized rock sugar, these are ornate icons with heft and muscle. They will leave us charmed by their details and overpowered by their enormity.” For his bejeweled wall pieces, Horn melds the organic and the artificial into a delicate silhouette by drafting a complex pattern and using grafted imagery of natural forms. A tree-like structure is constructed in wax and then cast in bronze and nickel-plated. Lustrous, large pearls fabricated from mirrored blown glass are the final baroque touch. Other examples of Horn’s oeuvre to be displayed at Lux are his 18th-century wall sconces made of transparent rubber, as well as a Cinderella-like carriage and a 150-pound chandelier both encrusted in honey-colored, crystallized rock sugar. The sugar-gilded chandelier and carriage were featured in an exhibit at the de Young Museum in San Francisco that referenced the rags-to-riches life of Alma Spreckels, widow of millionaire sugar baron Adolph Spreckels, who was brother of real estate magnate John D. Spreckels, one of San Diego’s founding entrepreneurs. A graduate of Victorian College of the Arts and Australian National University, Horn received his MFA from Massachusetts College of Art. His work has been featured in exhibitions at the de Young Museum in San Francisco, the Andy Warhol Museum in Pittsburgh, the Museum of Arts & Design and at the Armory Art Show in New York, Gallery of Modern Art in Brisbane, and the National Gallery of Australia in Canberra. He has received grants from the Pollock-Krasner Foundation, Massachusetts Cultural Council, and LEF New England. Residencies include the British Academy in Rome, Yaddo in upstate New York, the Fine Art Works Center in Provincetown and RAIR in New Mexico.






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